Rackmount Gear

classic studio staples and modern innovations in standard 19" format

studio staples

API’s rackmount series, including iconic units like the 2500 stereo bus compressor and the 3124 preamp, have cemented themselves as indispensable recording tools for every studio. 

These units deliver the legendary clarity, punch, and precision that API is known for, in a standard 19″ rackspace. Whether it’s the punchy, dynamic control of the 2500 or the robust, detailed amplification of the 3124, API’s rackmount gear has consistently made its way onto chart-topping records in all genres from its introduction in the late eighties to the present day.

lifestyle photo of an api 2500+ stereo bus compressor and api 5500 dual equalizer rack-mounted in a recording desk with a wooden top

console sound.
any format.

Whether in 500 Series, recording consoles, or rackmount formats, all API circuitry is identical. Contrast this to many other manufacturers, who typically resort to inconsistent voltages depending on format. Because API’s equipment was designed from day one to require lower voltage, its compressors, microphone preamps, and equalizers don’t need to be modified or compromised. This means whether you’re using an API recording console, rackmount unit, or a 500 Series module, you’ll hear the same clear, punchy character that’s been crowned as the quintessential American tone.

Image of the ASM164 front panel, front-facing
ASM164 Summing Mixer
TCS-II Channel Strip
2500+ Stereo Bus Compressor
SR22 Compressor
SR24 EQ
T12 Tube Mic Preamp
5500 Anniversary Edition
862 – 50th Anniversary Edition
2500 – 50th Anniversary Edition